Bach Bibliography Search Result |
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Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|
1. | A Trio in C major for recorder, violin and continuo by J. S. Bach? | EarlyM | 13 | 3 | 384-390 | |||
2. | Bach-Repertoire für Flötisten. | Tibia | 12 | 3 | 537-540 | |||
3. | A Critical Reappraisal of J. S. Bach's A-major Flute Sonata. | JMcol | 6 | 3 | 367-386 | |||
4. | Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. | [p]AMS_Austin | ||||||
5. | Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. | [p]AMS_MidAtlantic | ||||||
6. | Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. | MLetters | 71 | 4 | 494-504 | |||
7. | Beziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach. | BeitrBachF | 9-10 | 104-128 | ||||
8. | Scoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos. | diss. | vii, 251p | |||||
9. | Organological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto. | JAmerMInstrSoc | 17 | 5-52 | ||||
10. | On Linking Bach's F-Major Sinfonia and his Hunt Cantata. | Bach | 23 | 2 | 31-46 | |||
11. | J. S. Bach's Brandenburg Concertos as a Meaningful Set. | MQ | 77 | 2 | 193-235 | |||
12. | Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. | MQ | 77 | 4 | 718-726 | |||
13. | More Source-Critical Research on J. S. Bach's Musical Offering. | Bach | 25 | 1 | 11-27 | |||
14. | The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. | 160p | ||||||
15. | Concerto Styles and Signification in Bach's First Brandenburg Concerto. | BachPerspectives | 1 | 79-101 | ||||
16. | The theological character of J. S. Bach's Musical Offering. | BachStud | 2 | 85-106 | ||||
17. | Bach and Recorders in G. | GalpinSocJ | 48 | 199-204 | ||||
18. | Lutheranism, Anti-Judaism, and Bach's St. John Passion. | [p]AMS_MidAtlantic | ||||||
19. | Performance Practice Issues that Affect Meaning in Selected Bach Instrumental Works. | [p]AMS_MidAtlantic | ||||||
20. | Penzel Manuscripts of Bach Concertos. | DortmundBachF | 1 | 77-87 | ||||
21. | The Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion. | [p]IATB_Chicago | ||||||
22. | Lutheranism, Anti-Judaism, and Bach's St. John Passion. | 127p | ||||||
23. | An introduction to Bach Studies. | xi, 189p | ||||||
24. | Creative Responses to Bach from Mozart to Hindemith. | BachPerspectives | 3 | ix, 160p | ||||
25. | Performance Practice Issues that Affect Meaning in Two Bach Instrumental Works. | [p]BS_Dortmund | ||||||
26. | Aufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs. | DortmundBachF | 2 | 291-301 | ||||
27. | Vom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs. | [p]IATB_Logumkloster | ||||||
28. | Bach. Brandenburg Kyosokyoku. | BCJ | 42 | 8-19 | ||||
29. | Brandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721. | BCJ | 42 | 28-33 | ||||
30. | Perspectives on the 'St. John Passion' and the Jews. | NYTimes | ||||||
31. | Biblical solutions to Certain Problems in Bach Biography. | [p]IBS_Utrecht | ||||||
32. | On the Musically Theological in J. S. Bach's Church Cantatas. | LutherQ | 16 | 1 | 48-64 | |||
33. | Bach and Josephus on the destruction of Jerusalem. | [p]ABS_Houston | ||||||
34. | Bach, Luther, and Josephus on the Destruction of Jerusalem. | [p]IATB_Eisenach | ||||||
35. | The Character and Sources of the Anti-Judaism in Bach's Cantata 46. | HarvardTheolReview | 96 | 1 | 63-99 | |||
36. | Blood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion. | [p]WAfB_Wolfenbüttel | ||||||
37. | Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works. | EastmanStudM | 28 | 85-94 | ||||
38. | Blood, People, and Crowds in Matthew, Luther, and Bach. | LutherQ | 19 | 1 | 1-22 | |||
39. | New Theological Research on Bach's Church Cantatas and Oratorios. | [p]IMS_Middelburg | ||||||
40. | Arthur Mendel and the World of J. S. Bach. | [p]Mendel60BR | ||||||
41. | Yohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku. | BCJ | 76 | 9-40 | ||||
42. | Bach's St. John Passion and the Jews. | Colloquium | 4 | 141-143 | ||||
43. | Historically Informed Rendering of the Librettos from Bach's Church Cantatas. | [fs]Leaver65 | 103-120 | |||||
44. | Bach's Oratorios: The Parallel German-English Texts with Annotations. | 208p | ||||||
45. | J. S. Bach's Church Cantatas and 'the Jews' in the Gospel of John. | [p]BICB_Salzburg | ||||||
46. | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. | [p]BNUK_Cambridge | ||||||
47. | Bach & God. | xxi, 257p | ||||||
48. | In Memoriam: J. Reilly Lewis (15 September 1944—9 June 2016). | BachNotesABS | 25 | 7 | ||||
49. | Religious Meaning and Bach Performance. | [p]ABS_SouthBend | ||||||
50. | Bach and God. | [p]BNUK_Cambridge |